A[]
| Término | Descripción |
|---|---|
| Aka-e(Jap.) | |
| Alchemy | |
| Alkali | |
| An hua | wikipedia:An hua |
| Animal Figure Symbols | |
| Annamese | |
| Apple green (glaze) | |
| Archaeo-magnetic dating | |
| Arita | wikipedia:Arita (porcelain) |
| Arita ware | |
| Aburi | |
| Armorial porcelain | |
| Asbolite | |
| Attendant | |
| Attribute | |
| Aubergine | |
| August the Strong | |
| Auspicious | |
| Ax |
B[]
| Término | Descripción |
|---|---|
| Baba-nonya | |
| Badama | |
| Bada Shanren(1626-1705) | |
| Badges of Rank | |
| Baidunzi | Petuntse |
| Ball | |
| Bamboo | |
| Banana | |
| Banko ware | |
| Banliang coins | |
| Baroque style | |
| Base | |
| Basket of flowers | |
| Bat | |
| Batavia | |
| Batavia brown | |
| Beaker | |
| Bee | |
| Bencharong | |
| Bento | |
| Betel | |
| Bi (Pi)disk | |
| Bianco-sopra-bianco | |
| Bi-doro | El término deriva del vocablo portugués "Vidrol", vidrio. [1] |
| Bin Thuanwreck (c. 1608) | |
| Bird | |
| Birthday plate | |
| Biscuit | |
| Bi Xie | |
| Bizen potteries (Jap.) | |
| Blanc-de-chine | |
| Bleu de Hue | |
| Blue-and-white | |
| Boar | |
| Bodhisattva | |
| Body | |
| Bone ash | |
| Bone china | |
| BoshanluCenser | |
| Böttger, J.F. | |
| Böttger luster | |
| Bourdalou | |
| Bow Porcelain Factory (1744-76) | |
| Boy (Children) | |
| Brass | |
| Break | |
| Brinjal | |
| Bronze | |
| Brown spots tiexiuban | |
| Brush Pot | |
| Brush washer, small (Shui Yu) | |
| Brussels Pottery and Porcelain Factory | |
| Budai (Po-tai) | |
| Buddha | |
| Buddhism | |
| Burial pottery | |
| Butterflies, Hundred | |
| Butterfly |
C[]
| Término | Descripción |
|---|---|
| Calender | |
| Cabaret | |
| Cache-pot | |
| Cach pattern | |
| Caddy, Tea- | |
| Cadogan | |
| Camcheng | |
| Camaieu | |
| Candlestick, Chinese | |
| Canopy (Gai) | |
| Canton enamel | |
| Canton porcelain | |
| Carp | |
| Cartouche | |
| Castiglione, Giuseppe (1688-1766) | |
| Caughley | |
| Cavetto | |
| Celadon | |
| Censer | |
| Ceramics | |
| Ceramic Chemistry | |
| Chambers, Sir William (1723-96) | |
| Chamberstick | |
| Champleve | |
| Changsha (kilns) | |
| Charger | |
| Chatter marks | |
| Chayemo | |
| Chawan, (茶碗) | Cuenco para el arroz o te. |
| Chenghua (1465-1487) porcelain | |
| Chicken skin | |
| Children, Hundred | |
| China | |
| Chinese dynasty | |
| Chinoiserie | |
| Chrysanthemum | |
| Chrysanthemum dishes | |
| Chupu | |
| Cicada | |
| Cincinnati, Order of the | |
| Cinnabar | |
| Cizhouware | |
| Clay | |
| Clay matrix | |
| Clay temper | |
| Clair-de-luneglaze | |
| Clobbered | |
| Cloisonné | |
| Cobalt | |
| Cock | |
| Coiling | |
| Collectible | |
| Colloid | |
| Colors, symbolic values | |
| Coombs, China burner | |
| Concentric | |
| Conch shell | |
| Cong | Forma de recipientes usados inicialmente con propósitos de ritual en la cultura china, de forma cuadrada. En el se simboliza la tierra, como el cuadrado y el cielo como la terminación en redondo de la boca del recipiente. |
| Congeebowl | |
| Copper-red glazes | |
| Crack | |
| Crackle | |
| Crane | |
| Crazing | |
| Creme cups | |
| Crest | |
| Cricket | |
| Cross-section | |
| Crow | |
| "Cuckoo in the house" pattern | |
| Cultural Revolution | |
| Cuspidor | |
| Cyclical Dates |
D[]
| Término | Descripción |
|---|---|
| Daoism (Taoism) | |
| Dayazhai motif | |
| Decalcomania | |
| Deer | |
| Deer, Hundred | |
| Dehua kilns | Horno de china en la provincia de Fujian, famoso por sus porcelanas muy blancas. Data de la dinastía Song, y funcionó durante las dinastías Quing, Yuan, y Ming. |
| Delft | |
| Deutsche blumen | |
| Diaper pattern | |
| Ding (Ting)ware | |
| Dog | |
| Donkey | |
| Doucai | |
| Dragon (Long) | |
| Dragon and Phoenix (Long Feng) | |
| Dragon boat | |
| Dragonware | |
| Du Halde | |
| haikaburi | |
| Du Paquier | |
| Duck | |
| Duff, Govenor, and his wife | |
| Dunzhi | |
| Dynasties, of China |
E[]
| Término | Descripción |
|---|---|
| Earthenware | |
| East India Company | |
| Edo period (Japan) | |
| Eight Buddhist Symbols | |
| Eight Daoist Emblems | |
| Eight Daoist Immortals | |
| Eight Horses of Wang Mu | |
| Eight Natural Phenomena | |
| Eight Precious Things | |
| Eight Trigrams | |
| Enamel decoration | |
| Enamels | |
| Endou | |
| Encre de Chine | |
| Endless knot | |
| D'Entrecolles, Pére Francois Xavier | |
| Export porcelain | |
| Extant | |
| Eyes | |
F[]
| Término | Descripción |
|---|---|
| Fahua | |
| Faience | |
| Falangcai | |
| Famille jaune | |
| Famille noire | |
| Famille rose | |
| Famille verte | |
| Fan | |
| Fencai | |
| Festoon | |
| Figures, decapitated | |
| Fire support marks | |
| Firing in reducing atmosphere | |
| Firing in oxidizing atmosphere | |
| Fish | |
| Five | |
| Five Blessings | |
| Five Dynasties | |
| Five Poisonous Creatures | |
| Five Relations (Wu lun) | |
| Flag of China | |
| Flambé glazes | |
| Flatware | |
| Floating world (Jap.) | |
| Flower Friends Theme | |
| Flowers | |
| Foliated | |
| Foot, ring | |
| Four Elements | |
| Four Modernizations | |
| Four Noble Plants | |
| Four Scholarly Accomplishments | |
| Fritting | |
| Fu | |
| Fu, Lu, Shou | |
| Fukagawa | |
| Fukidashi | |
| Fushao | |
G[]
| Término | Descripción |
|---|---|
| Gadroon | |
| Garden rock | |
| Gairome | |
| Ge | |
| Geisha girl | |
| Gilding | |
| Giles, James | |
| Glass, Chinese (Peking Glass) | |
| Glaze | |
| Gold repair | |
| God of Longevity | |
| Gongbi zhongcai | |
| Gotoku | |
| Graviata | |
| Grisaille | |
| Guan | |
| Guanyin | |
| Guozhi | |
| Guqin | |
| Guyuexuan | |
| Gypsum |
H[]
| Término | Descripción |
|---|---|
| Halo effect | |
| Han dynasty | |
| Happinesses, Hundred | |
| Hare | |
| Hagi | |
| Haikaburi | Tipo de ceniza con la característica de proporcionar un aspecto mate. |
| Hart, Sir Robert | |
| Hanaire | |
| Hasami Ware | |
| Hatstand | |
| Hausmaler | |
| "Heaped and piled" | |
| Heavenly Horse | |
| Heron | |
| Hi Iro | |
| Hibachi | |
| Hiki Dashi Kuro | |
| Hitoeguchi Mizusashi | |
| Hibuse | |
| Hirado | |
| Hitotsu Narabe | |
| Hollow line | |
| Homophonic motifs | |
| Hong Kong | |
| Horse | |
| Hundred Antiques | |
| Hundred Pleasures | |
| Hundred Treasures |
I[]
| Término | Descripción | Igezara(Jap.) |
|---|---|---|
| IHS | ||
| Incised | ||
| Ink painting | ||
| Imari, Japanese | ||
| Imari, Chinese | ||
| Imperial workshops in Beijing | ||
| Iridescence | ||
| Islamic Art | ||
J[]
| Término | Descripción |
|---|---|
| Jade | |
| Jade Emperor | |
| Jade Hall (Yu Tang) | |
| Jadeite | |
| Japanese celadon | |
| Japanese chronology | |
| Japanese porcelain | |
| Jian yao | |
| Jihong | |
| Jilan | |
| Jin dynasty | |
| Jingdezhen | |
| Jingdezhen Jun | |
| Johanneum marks | |
| "Joss" | |
| "Journey to the West" | |
| Ju (Ru)ware | |
| "Judgement of Paris" decoration | |
| Jun glaze | |
| Ju Ren Tang |
K[]
| Término | Descripción |
|---|---|
| Kaga ware | |
| Kaishu script | |
| Kakiemon | |
| Kannon | |
| Kaolin | |
| Karako (Jap.) | |
| Karako ware (Jap.) | |
| Karatsu ware (Jap.) | |
| Kendi | |
| Kendi Maling | |
| Kiln | |
| Kinrande (Jap.) | |
| Kitchen Qing | |
| Klapmuts | |
| Ko-sometsuke(Jap.) | |
| Korea | |
| Kowtow | |
| "Kraak" porcelain | |
| Kui dragon | |
| Kundika | |
| Kutani ware (Jap.) | |
| Kwantung ware | |
| Kyo-yaki (Jap.) |
L[]
| Término | Descripción |
|---|---|
| Lacquer | |
| Langkiln | |
| Lang yao hong Copper red | |
| Lang Shining | |
| Lantern festical | |
| Laub und Bandelwerk | |
| Laughing Buddha | |
| Leach, Bernard (b.1887) | |
| Lead Glaze | |
| Leather hard | |
| Leiwen | |
| Lilingkiln | |
| Lime | |
| Linrukiln | |
| Lingzhi | |
| Lion | |
| Lip | |
| Lithophane | |
| Longquan wares | |
| Lotus | |
| Lowestoft | |
| Low fired glazes | |
| Lozenge | |
| Luanbaiglaze | |
| Lug handles | |
| Lohan | |
| Lustreware | |
| Luting |
M[]
| Término | Descripción |
|---|---|
| Magnolia | |
| Magpie | |
| Magu, Goddess | |
| Maiolica | |
| Majiayao Culture | |
| Manchu | |
| Mandarin ducks | |
| Mandate of Heaven | |
| Mandorla | |
| Marbled ware | |
| Mark and Period | |
| Marriage | |
| Matriarch | |
| Mazarine blue | |
| Meander | |
| Medici porcelain | |
| Medicine, Chinese | |
| Merian, Maria Sibylla (1647-1717) | |
| Meiji period (Jap.) | |
| Meiping | |
| Meissen KPM | |
| Metal clad rims | |
| Mille Fleur | |
| Minton, Thomas ( -1836) | |
| Ming dynasty | |
| Mingqi | |
| Mino ware (Jap.) | |
| Minyao | |
| Mirror | |
| Mirror-image decorations | |
| Mizusashi (Jap.) | |
| Momoyama Period (Jap.) | |
| Mon(Jap.) | |
| Mongol | |
| Monk's-cap ewer | |
| Monochrome | |
| Monochromic decorations | |
| Moriage | |
| Mottahedeh | |
| Mountains, sacred | |
| Mudmen | |
| Mudra | |
| Mulan (Fa Mu Lan) | |
| Mustard Seed Garden |
N[]
| Término | Descripción |
|---|---|
| Nabeshima ware (Jap.) | |
| Nara period (Jap.) | |
| Neoclassic | |
| Nephrite | |
| Netsuke(Jap.) | |
| Nippon (Jap.) | |
| Noritake (Jap.) | |
| Northern and Southern Dynasties | |
| Nose drinking cups | |
| Nonya (Nyonya) ware | |
| Numbers |
O[]
| Término | Descripción |
|---|---|
| Occupied Japan - OJ | |
| Oil lamp | |
| On fakes | |
| Opium | |
| Orchid | |
| Ornament | |
| Orange peel | |
| Oriole | |
| Ouroboros | |
| Owl | |
| Ox | |
| Oxidation firing |
P[]
| Término | Descripción |
|---|---|
| Pagoda | |
| Painting, Chinese | |
| Painting terms | |
| Painting themes | |
| Painting types | |
| Palace bowls | |
| Papier des Indes (Fr.) | |
| Paring | |
| Paste | |
| Patty pan | |
| Peach | |
| Peach-bloom glaze | |
| Pei hok("Skin and shell") | |
| Peony | |
| Pere d'Entrecolles | |
| Petuntse | |
| Pheasant | |
| Phoenix | |
| Picture Archive (under work) | |
| Pig | |
| Pine | |
| Plants and Fruits | |
| Plate | |
| Plum blossom | |
| Poirier, Simon-Philippe (1720-1785) | |
| Polychrome | |
| Pomegranate | |
| Porcelain | |
| Porcelain clay | |
| Porcelain paste | |
| Pottery parts and shapes | |
| Powder blue | |
| Provenance | |
| Prunus | |
| Pronk | |
| Puce | |
| Punctuation | |
| Puyi (1906-1976) |
Q[]
| Término | Descripción |
|---|---|
| Qi | |
| Qianjiang(pale umber) style | |
| Qilin(Unicorn) | |
| Qilung | |
| Qin | |
| Qin Dynasty | |
| Qing Dynasty | |
| Qingbai | |
| Qinghua | |
| Quail | |
| Queen Mother of the West |
R[]
| Término | Descripción |
|---|---|
| Rat | |
| Raku (Jap.) | |
| Ram | |
| Raven | |
| Red | |
| Reducing kiln athmosphere | |
| Reeding | |
| Ren Bonian (1840-96)(Painter) | |
| Regout | |
| Reliquary | |
| Reticulated | |
| Rice grain porcelain | |
| Ricci, Matteo (1552-1610) | |
| Robin's EggGlaze | |
| Rock | |
| Rococo | |
| Rooster | |
| Rubruck, William of | |
| Ru (Ju)ware | |
| Rubbing | |
| Ruby back | |
| Ruby glaze | |
| Ruyi |
S[]
| Término | Descripción |
|---|---|
| Sacred disc | |
| Saggar | |
| Samson | |
| Samurai(Jap.) | |
| Sancai | |
| Sang de boeuf | |
| Satsuma ware (Jap.) | |
| Scepter | |
| Schreger pattern | |
| Seal | |
| Seal mark | |
| Seal script | |
| Sepia | |
| Seto ware | |
| Setters | |
| Seven appearances | |
| Sgraffito | |
| Shang Pingvase shape | |
| Shapes, ceramic | |
| Sheep | |
| Shende Tang | |
| Shippo | |
| Shou | |
| Shou Lao | |
| Shufuware | |
| Shizenyu | |
| Silica | |
| Silk Road | |
| Silkworm chrysalis | |
| Slip | |
| Slip casting | |
| Snuff | |
| Snake | |
| Snuff bottle | |
| Soapstone | |
| Shochikubai(Jap.) | |
| Song | |
| Spirit bottles | |
| Spode, Joshua (1733-1797) | |
| Spriggs | |
| Spur marks | |
| Staffordshire | |
| Steatite | |
| Stencil decoration | |
| Stoneware | |
| Straits Chinese | |
| Straits Chinese Porcelain | |
| Sui dynasty (581-617) | |
| Sun Yat-sen (1866-1925) | |
| Sumida Pottery(Jap.) | |
| Susancai | |
| Swallow | |
| Swastika | |
| Swag | |
| Swatow ware | |
| Sweet white (Tianbai) Glaze | |
| Symbolism | |
| Symbols: Animals | |
| Symbols, explained | |
| Shodai Ware | |
| Satsuma Ware |
T[]
| Término | Descripción |
|---|---|
| Taisho period (Jap.) | |
| Taoism | |
| Taotie | |
| Tang Dynasty (618-907) | |
| Tang Ying (Tang Yao, 1728-56) | |
| Tazza | |
| Tea Caddy | |
| Tea Pot | |
| Tea-dust glaze | |
| Temmoku(Jian ware) | |
| Ten Bamboo Studio | |
| Terracotta Army | |
| Thousand flower pattern | |
| Three Friends of Winter | |
| Three Kingdoms | |
| Three Stargods (San xing) | |
| Throwing | |
| Tianbai(Sweet white) Glaze | |
| Tiger | |
| Tiger and Dragon | |
| Tingwares | |
| TL-test | |
| Tobacco leaf | |
| Tobi Seiji (Jap.) | |
| Tokugawa(Jap) | |
| Tong | |
| Tortoise and Snake | |
| Transfer printing | |
| Transitional period | |
| Trigrams, the eight | |
| Triptych | |
| Tulip | |
| Turning | |
| Turquoise glaze | |
| Twelve Ornaments |
U[]
| Término | Descripción |
|---|---|
| Undercut | |
| Underglaze decoration |
V[]
| Término | Descripción |
|---|---|
| Vajra | |
| Valentine Pattern | |
| Verbiest, Ferdinand (1623-1688) | |
| Vitreous | |
| VOC (1602-1798) |
W[]
| Término | Descripción |
|---|---|
| Wagner, Gottfried (1830-92) | |
| Wang Bingrong (1840-1900) | |
| Ware | |
| Warping | |
| Waster | |
| Waves | |
| Wedging | |
| Wood | |
| Wu, State of | |
| Wu cai | |
| Wu Li(1632-1718)
|
X[]
| Término | Descripción |
|---|---|
| Xianhong Ming Copper-red | |
| Xiwangmu |
Y[]
| Término | Descripción |
|---|---|
| Yao | |
| Yaozhouware | |
| Yakishime | |
| Yin and Yang | |
| Yangcai | |
| Yingqingglaze | |
| Yixing (Buccaro) | |
| Youhen | Son los cambios naturales y al azar que se producen durante la cocción en el horno. |
| Yuan dynasty (1260-1368) | Dinastía Yuan |
| Yuan Ming YuanGarden | |
| Yue yao(Yue ware) | |
| Yunnanblue and white |
Z[]
| Término | Descripción |
|---|---|
| Zen Buddhism | |
| Zhangzhou ware | |
| Zhou Dynasty | |
| Zhuanshu script | |
| Zisha | |
| Zither | |
| Zodiac |
Varios[]
| Término | Descripción |
|---|---|
| Obori Soma Ware | |
| Aizu Hongo Ware | |
| Kasama Ware | |
| Mashiko Ware | |
| Akazu Ware | |
| Seto Underglazed Ware
| |
| Tokoname Ware | |
| Mino Ware
| |
| Yokkaichi Banko Ware | |
| Iga Ware
| |
| Kutani Ware | |
| Echizen Ware | |
| Shigaraki Ware | |
| Kyoto-Kiyomizu Ware | |
| Tamba Tachikui Ware | |
| Izushi Ware
| |
| Iwami Ware | |
| Bizen Ware
| |
| Hagi Ware | |
| Otani Ware
| |
| Tobe Ware | |
| Koishiwara Ware
| |
| Agano Ware | |
| Tsuboya Ware | |
| Amakusa Pottery and Porcelain | |
| Imari-Arita Ware | |
| Karatsu Ware | |
| Mikawachi Ware |
Herramientas del torno[]
Generally fashioned out of fast-growing bamboo or wood, these tools have a natural feel that is highly appealing. While most are Japanese versions of familiar tools in the West, some are inventions unique to Japanese pottery.
Gyubera [3] – These “cow’s tongues” are long sled-shaped bamboo ribs used to compress the bottoms and shape the sides of straight-sided bowls. They are a traditional tool from Arita, Kyushu. Util para el torno, realizada normalmente en bambú. Se trata de una herramienta tradicional de Arita, Kyushu.
Marugote – These are round, shallow clam shell-shaped bamboo ribs used to shape the sides of curved bowls. They can also be used to compress the bottoms of thrown forms.
Dango – Similar to wooden ribs, these leaf-shaped bamboo ribs are used to shape and smooth the surfaces of a pot.
Takebera - These bamboo trimming and modeling "knives" are available in several different shapes for carving, cleaning up wet pots, cutting, and for sgraffito.
Tombo – “Dragonflies” are the functional equivalent of Western calipers with an added feature. Suspended from a takebera or balanced on the rim of a pot, these delicate bamboo tools are used for measuring both the diameter and the depth of thrown forms.
‘Yumi – A yumi is a wire and bamboo trimming harp that doubles as a fluting tool. It is used to cut off uneven or torn rims as well as to facet leather-hard forms.
Tsurunokubi – These “crane’s necks” are s-curved Japanese wooden throwing sticks used to shape the interiors of narrow-necked pieces such as bottles and certain vases.
Kanna – Kanna are cutting, carving and incising tools made of iron that are used to trim pieces, for carving, sgraffito and to scrape off excess glaze.
‘’’Tsuchikaki’’’ – A large looped ribbon tool made of iron that can be used for trimming as well as carving.
‘’’Umakaki’’’ – A trimming harp that is used to level flat, wide surfaces such as the bottom of a shallow dish or plate.
‘’’Kushi’’’ – Not strictly a throwing tool, these combs are used to score a minimum of 2 decorative parallel lines on pot surfaces. The largest combs have about 20 teeth.
Take Bon Bon – Not a throwing tool, but a Japanese slip-trailer. A take bon bon is a high-capacity bamboo bottle with a spout from which slip and glaze can be poured out in a steady, controlled stream so the potter can “draw” with it.
